The Chudney Agency (Submissions) Only looking for author/illustrators (one individual). Odds of Getting a Book Agent Get the facts. She is drawn to work that showcases expressive characters, timeless palettes, and atmospheric scenes. Don't miss our ebook deals starting at $0.99! Start with illustrators you admire. Catbird's beautifully-crafted documentaries introduce audiences to remarkable human beings, like an Ethiopian aristocrat turned communist rebel, a Montreal poet turned world-renowned winemaker, or a resilient Inuit man who competes in a grueling dogsled race despite a major disability. She is drawn toward gorgeous writing and strong, flawed characters. Astound US Illustration Agency(Submissions scroll down to Artists submissions)Open to illustrator & author-illustrator submissions. For adult fiction, Danielle is seeking upmarket commercial fiction and literary fiction. A Montreal-based boutique production company, we specialize in award-winning, beautifully-crafted and enduring POV documentaries for Canadian and international audiences. Its all right. BookStop Literary Agency (Agents & Submissions), Bradford Literary Agency(Agents & Submissions). Once a book is sold, authors and illustrators will be presenting themselves to publishers, booksellers, librarians, and others as a professional. You didnt receive a rejection letter. You received a critique letter. It sounds so much better, doesnt it? Sometimes your work just isnt a fit for our skill set or interests. Youre the playerone of many players on his or her team. That one was just meant to be it seems! They are the busiest bees in the hive. Submit to Susan Hawk Any agents not listed above are CLOSED to submissions. Catbird Agency Website: catbirdagency.com/ Twitter: HallWaysKirsten AAR/AALA Member: No Accepts Queries Via. But if we are interested, we will request your full manuscript. I still remember the first time I read Jessixa Bagleys dummy submission. This is probably less often the case once a project reaches the publisher. We usually begin by keeping the artist and author separate from one another as publishers do. Before you submit: Read their guidelines. Kirsten:Its true, I love to co-agent, and I do it regularly with agents at several different agencies. 1) Those that reflect soulfulness and deep consideration. If youre creating work that could be described as generous, nuanced, and at ease with complexity, shed love to read it. Erica:Its all about matchmaking matching up talent to work together, matching up talent to editors and publishers. And so on. Plus, get a FREE ebook when you sign up! Manuscripts sent to them will be discarded unread. Not of, or relating to, Dogma, Catbird seeks to foster a community of varietous and riotously (not righteously) funny creators in Austin and in the larger state of Texas. . She is just as happy working with debut talents as she is best-sellers. And then there are the projects that never seem to go anywhere at all. We also use third-party cookies that help us analyze and understand how you use this website. In childrens fiction, they primarily accept early readers and chapter books, and perhaps the very rare, exceptional picture book. Sometimes those opportunities come in fast and sometimes they dont. Books that tell the stories of people, places, and cultures that have been overlooked and ignored for too long are at the top of her list. CookeMcDermid You dont have their undivided attention. Its true, I love to co-agent, and I do it regularly with agents at several different agencies. What do you look for in a submission?Illustrators contact me at all different points in their careers, and for different reasonssome are interested in getting more freelance illustration work, some have a childrens book, comic series, or graphic novel theyd like to pitch, and some are simply looking for advice or assistance with their current clients (which could be as disparate as an indie musician and a behemoth advertising agency). Right now, Brenda is not accepting picture book manuscript submissions, but she is looking for adult historical fiction. I work alone and basically love knocking on other agents doors and asking them to come out and play! Thank you for trying us, and all good luck! Authors and illustrators need an agent because the publishers interests/needs and their interests/needs arent always the same, and you need an advocate to represent you. She is particularly interested in illustrators from diverse backgrounds and portfolios that depict diverse characters and experiences. Theyre easy. The project may work. To set up immediate access, click here. Were not trying to make your road to publication harder. Making sure Im advocating well and clearly for my client from the get-go is even more critical than usual when there are two times the number of voices in the mix. This website uses cookies to improve your experience while you navigate through the website. Narrative Nonfiction D. Cohen . Were a tight-knit community! Your agent cant be expected to do all the heavy lifting. When our illustrators arent working up a project of their own, were pitching them to get matched up by publishers. Youll get free access tothe Directory of BookAgents with detailed profiles for allbookagents,including Kirsten HallLiterary Agent. Ive co-agented all kinds of dealsones that have gone to multi-house auctions on day one, one in which only one client saw an offer and the other client gracefully stepped aside, one in which wildly different offers came in and my co-agent and I needed to negotiate with each other as much as the publishers because our clients positions were so different. Theyre not your parents. Before you submit, read this: Please submit to SUBMISSIONS@CATAGENCYINC.COM & let us know who you are submitting to in the subject line! QueryTracker will not function correctly without javascript. Andrea Brown Literary Agency (Agents) (Submissions). Any agent worth their weight is in a position of privilege given that we see a birds-eye view of the industry, have a fantastic understanding of the publishing houses (in particular what the editors and art directors are looking for), and a deep understanding of imprint listswhich may not be obvious from looking online or at backlist titles. Not everyone excels at all of these, or enjoys it! Be professional in your communication with an agent. They told me they were going to focus on getting me into the industry I love: childrens books. Nonfiction/Diversity S. Peer Childrens/Pic Book M. Leshem-Pelly If you still dont hear from them, move on. If you dont hear from them after a month or so, gently check in. Book Agent Kirsten Hall previously worked as an editorial assistant at Random House (1996-1997). Due to the volume of submissions we receive, we are unable toguarantee feedback or advice in our rejections. Tugeau 2, A Children's Art & Literary Agency 2231 Grandview Avenue Cleveland Heights, OH 44106 Tugeau 2 proudly serves artists, writers and illustrators with representation in the children's publishing industry. As soon as you enter your name and email address to the right, youll be able to see complete profiles for every literary agent at Catbird Productions(and every other literary agency). If working at an office location and you are not "logged in", simply close and relaunch your preferred browser. However, if you would like to get your work in front of her for now or the future, please submit - she reviews ALL submissions! Ive heard illustrators say they want an agent so they dont have to deal with marketing and contracts and the non-drawing-and-painting aspects of illustration. Like coaches,good agents get the best out of you. Fuse Literary represents both fiction and nonfiction in a variety of categories and genres. Get FREE Access Now to All Catbird ProductionsProfiles! Book Agent Kirsten Hall previously worked as an editorial assistant at Random House (1996-1997). Sense of place mattersprecise, expressive settings delight her. You have to be a detective. The Chudney Agency (Submissions) Only looking for author/illustrators (one individual). Rest assured, there are far,far fewer of these agents out there. Its an honor to see a piece of a creators heart inside a proposals DNA. and strategic process), so its not something we do all the time. Olswanger Literary LLC. If you have questions, you can build your own network of colleagues who may have the answers. Thank you for submitting your work! Memoir/Inspirational L. Subramani Ive seen really exciting work come out of it. I mean, maybe some of us are glamorous, but that aside, of the agents I know (myself included) this couldnt be further from the truth. Writers can search posts for agents compatible with their work. Some favorite titles that provide a sense of her tastes: Picture book: Penguin and Pinecone by Salina Yoon; Creepy Carrots by Aaron Reynolds and Peter Brown; I Dont Want to be a Frog by Dev Petty; Bad Dog by Mike Boldt, Middle grade: Merci Suarez Changes Gears by Meg Medina; The Year the Swallows Came Early by Katherine Fitzmaurice; Amal Unbound by Aisha Saeed; The Book Thief by Markus Zusak, Young adult: The Sea is Salt and So Am I by Cassandra Hartt; Dumplin by Julie Murphy; The Cost of All Things by Maggie Lehrman; To All the Boys Ive Loved Before by Jenny Han; The Girl in the Blue Coat by Monica Hesse. Find out whos working in the field. Kirsten Hall - Catbird Agency | QueryTracker Corvisiero Literary Agency (Agents) (Submissions), Curtis Brown LTD (Agents)(Submissions). Ive co-agented all kinds of dealsones that have gone to multi-house auctions on day one, one in which only one client saw an offer and the other client gracefully stepped aside, one in which wildly different offers came in and my co-agent and I needed to negotiate with each other as much as the publishers because our clients positions were so different. For art directors, editors, and publishers,an agent is foremost a problem-solver. And Im stirred by pitches that elicit feelings of sympathy or empathy. We would like to show you a description here but the site won't allow us. This enables us to put a plan in place before the first portfolio sheet is made. They're signing. Shes drawn to projects that are character-driven, tightly plotted, and have a singular, specific voice; always on the hunt for: She looks for projects that know kids are smart and perceptive and feeling deeply; that make the reader feel seen. QueryTracker Members can view the data gathered by all other members, organized into reports showing 2007-2023 QueryTracker. Maybe its the book that we havent placed yet, but still so strongly believe has a place in the world.
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